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Super '78 The Super '78 captures the feel and tone of Eddie's early albums and rock music of this golden period. The Reeves Super '78 features 50-watts using two Groove Tubes GT-EL43M power tubes, a reproduction of the classic Mullard EL-34 XF2 Dual Getter tube. Learn more |
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Custom 225 Bass Amp "The first thing you notice when you fire up the Custom 225 is trtuly massive, lush, powerful low end. You feel like you are playing in a stadium with a wall full of amps behind you, no matter what the volume level. It is a highly satisfying sensation." Bass Gear magazine Learn more |
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Custom Jimmy The Custom 'Jimmy' is a faithful recreation of Page's Hiwatt amp that he used circa 1969 - 1971. Constructed to the exact same specifications as Dave Reeves' original HIWATT design with Partridge replica transformers, input, balance , bass, middle, treble, presence and master volume controls. Like all Reeves Amplifiers, the Custom 'Jimmy' is entirely hand assembled using only the finest quality components-carbon composition resistors, STK and MOJO "Dijon" coupling caps assembled on a Garolite turret board utilizing "Mil-Spec" wiring techniques. Learn more |
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Signature CP103 / CP504 This amp is the same spec as the one extensively used by Pete Townshend. It is based on the Custom 100 head but with more gain, a bit more bass and treble. When used in conjunction with our custom made four output "Y" adaptor, the sound stage is increased tremendously. Learn more |
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Custom 50 / Custom 100 Constructed to the exact same specifications as Dave Reeves original HIWATT? design with Partridge replica transformers, dual channel pre-amp with 4 Inputs (2 Normal, 2 Bright). Normal volume and bright volume, bass, middle, treble, presence and master volume controls. Like all Reeves Amplifiers, the Custom 50 is entirely hand assembled using only the finest quality components-carbon composition resistors, STK and MOJO "Dijon" coupling caps assembled on a Garolite turret board utilizing "Mil-Spec" wiring techniques. Learn more |
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Custom 50PS The Custom 50 PS is the same circuit as our standard Custom 50 but with the addition of Power Scaling to give you that "Live at Leeds" tone without disrupting the neighborhood. Learn more |
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Custom 30 MK II The Custom 30 MK II incorporates a few changes to the very successful Custom 30 platform. The first update is to the "Lead Boost". Now it has a variable control on the back of the amplifier to give more flexibility in the amount of boost. The second update to the boost is that it can be turned on or off from the mini toggle switch on the back of the amp. Now, if the footswitch is lost, forgotten or broken, one is not stuck in either boost or non-boost mode. Third change is to the bias configuration; it is now fixed bias, which gives the amp a few more watts and more headroom than the original. Learn more |
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Custom 18 Winner of the Guitar Player magazine Editor's Pick Award. The Custom 18 is a Plexi-inspired amp unlike anything we have build before. At the heart of this amplifier is 20 watts of fat toneful bliss. The tonal and harmonic characteristics of the cathode-biased EL84 power tubes and 12AXY preamp tubes are classic Brit. With the addition of separate gain and bright / mid toggle switches, you can tweak your tone or propel the amp into "Big Hair" territory at any volume level. Learn more |
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Custom 10 HG The Custom 10 HG answers the question of Who makes a low powered Single Ended Class A amplifier mixed with an angry preamp? This amplifier is strictly designed for the player looking for a something with attitude but without all the knobs, buttons, loops and multiple channels to muck up their tone. The Custom 10 HG is a single channel 10 watt simplistic approach with a Master Volume, Bass, Mid, Treble and Gain controls. One El-34 power tube and two 12ax7 preamp tubes will sound amazingly huge but with out all the size and volume. Learn more |
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Custom 6 / Custom 12 Back by popular demand, the raging Custom 6 has rejoined the Reeves amp line as a portable head! The design philosophy of this particular amplifier was simple ... to get the preamp and power tubes to clip...to get that "fat" JTM / Plexi British sound at volume levels that won't sterilize small animals or render innocent bystanders unconscious. Learn more |
